Take your time to mark everything having to do with these categories. Thumbnail set design sketches for Boston University’s Rom é o et Juliette. Use the following categories to organize your thoughts: sets, costumes, lights, sounds, props, colors, imagery, and “other.” Pick one color of highlighter for each category and use a red pen to underline props. Break down what the show needs for the story to be told. The purpose of this step is to identify all of the production’s sensory elements. Second, read the script for sensory and physical needs. If working on a musical, try to have the soundtrack to listen to as you read the script. Just experience what the playwright has written. Do not think about what your specific version of the show might look like. Time your bathroom break to when you get to the written intermission break. Give yourself plenty of time to read the entire script from beginning to end. When seeing a live performance, the only time the show is interrupted is at intermission.
Unlike a novel, theatrical performances are meant to be experienced uninterrupted. Read it all the way through - without stopping. Below is a brief outline of the steps for a scenic designer to break down a script.įirst, read the script for enjoyment. A scenic designer does not focus on objectives, motivations, subtext, or tactics of the characters but rather takes interest in the visuals and stated needs of the production. Step 1: Read and analyze the scriptĪ scenic designer takes a different approach to reading a script than actors and directors do. These steps are a guide to help you develop your personal process. Below is a breakdown of one approach to the creative work of scenic design. A scenic designer works with the director in exploring how and why each item - platform, flat or wall, table, chair, cube - is or could be used.Ī scenic designer uses many tools to create a set: a visual script analysis, thumbnail sketches, detailed sketches or renderings, and scenic models. Scenery provides a playground for the director to use in telling the story of the piece. Other members of this collaborative team include but are not limited to the costume designer, sound designer, lighting designer, and director. Нам важно знать ваше мнение.A SCENIC DESIGNER is the member of the creative team charged with developing the environment used to tell the story of a play, musical, or performing arts piece.
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